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Brandon Chow/ InvAsian: Music, Artistry and The Art of Performance

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BC: What about Drake?
Brandon: Drake is a beast. I don’t know if it’s all him or if he’s getting great direction, but the way he’s able to take old school stuff and put his style on it? I mean that in many different ways. I feel like he can do anything. As an artist, when he’s in his own zone he can do anything and I have a lot of respect for him. I was never a diehard fan, but to see him still making his way? He’s not allowing things to stop him and he has become more creative and viral.

The “God’s Plan” video was incredible. The marketing behind it was crazy. It could have been a regular video, him in a Lambo with jewelry talking about God’s plan. No, this guy shot a video of him giving away money to charitable groups. He went the opposite direction and used it for his video. For me, I’m always thinking if you went left I want to see it because they went left, it’s different. I’m always looking for what’s different. I will suggest things to make you different from your doppelganger. If you’re going to borrow something, take it and make it better. Don’t give me the same thing.

BC: I believe there’s a lot of commercialism going on right now. Everyone is looking like each other. They have the same hair, tattoos on their face, and assault charges to accompany the whole thing. Hip-Hop is transforming into things people like and don’t like. From my perspective, I see mumble rappers need their own category. Just like Japanese Hip-Hop or Japanese Jazz, mumble rap needs its own space. It’s no different from seeing a category of rappers who rap fast, verses those who have a slower, paced flow. Why not have a genre of rappers who mumble?
Brandon: I completely agree. Back then, we were separating gangsta rap from conscious rap based on the topics. Mumble Rap is the new rap? No, it’s a different color of rap, a different shade. I actually respect the mumble rappers because they went left. Am I a huge fan of it? Not really, but I think it’s cool. If I had a choice between Migos and Mobb Deep, I’m Mobb Deep all day because of how I was raised, my background and what I’m particular to. Can I listen to their whole album? What am I getting back from them? I respect these rappers for creating their own separate culture. They created something of their own.

BC: What’s next for Brandon Chow?
Brandon: BESPOKE is the latest time-invested project that I’ve been working on. Another thing I’m thinking about is clothing and fashion. I love staying in tune with what’s going on in the fashion world. We’re going to have our first batch of “ELEVATED” shirts available for sale at the show. Based on how fast we sell out, we may decide to move with it. We want to see if there’s a demand, if there’s potential. That particular idea is floating around. It’s hypothetical.

I have a company with my wife Yuan (Cici). Many times people are asking her about different things or what she posts. So, we decided to create a business together called “Just Ask Cici”. I’m the co-founder of the business where we answer questions about things we post or things in general. It’s basically your any and everything: recommended travel spots, where to go, where to invest real estate, what to eat, what’s going on, new technology, things like that.

BC: We talked about what’s next, but what about future endeavors. What can we expect from you for the remainder of this year? Do you have a five-year expectation? Where do you see yourself going?
Brandon: There’s a few things. BESPOKE is the biggest endeavor we’re working on. We’re going after the bigger fish, corporate events and showcases. We want to allocate a bit more time for that. We’re giving them a taste without giving them the whole artist. We’re aiming for a concert and rooftop events once things come together. That’s an end game for BESPOKE. I have a tv-series project called “ZODIAC” that I’m directing and producing to pitch to Netflix right now. We have our first season written up and we’re reshooting some scenes. I’m very passionate about the script. The treatment is just about done as well. It’s combining many different genres, similar to the way “LOST” did it. The one thing they didn’t have is music and live performances. We’re going to have that incorporated into the show. An up-and-coming music artist showcasing their music like the WB used to have back in the day on their shows.

BC: We discussed a lot of things chief: your music, businesses and everything between. Listen, that’s the end of my questions. Do you have any shout outs, name drops or people you want to pay homage to?
Brandon: Absolutely. I want to thank God for putting the people that I’ve been encountering into my life. Such as my amazing & beautiful wife, my strong & supportive mother, and the strong business-minded people that I’ve been surrounded by. If you don’t associate yourself with the right people, you need to relocate and reposition yourself. It’s all about the energy. It’s been a pleasure developing and creating companies that allow me to connect. Last but not least, my BESPOKE Entertainment partners – James Oh, Jaymie Bowles, and Estefania Ochea. Let’s keep building!

BC: Word. I enjoyed our interview Brandon. Thank you again sir.

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Music

The Beat Goes On…In Two Songs?

Tre Prada heard a beat this morning that sounded like one of his song, and it turned out to be Cardi B’s. We take a closer look at the two.

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You ever hear a song and think to yourself, wait a minute, that sounds like a beat I’ve heard before? That’s how Philly native Tre Prada started his afternoon.

Here are his thoughts on the new Cardi B song “Up” which dropped at midnight on Friday morning.

When you listen to it his song “Goonies”, a song that dropped back in October of 2020, the notes and the beat seem to be remarkably similar. We’re gonna drop the videos here. In this case, hearing is believing.

Now let’s compare that to Cardi B’s brand new, 13 hours old video.

We want to know what you think about this. Do you hear a similar beat? Do you think the songs are different enough? Do they sound like any other songs you know? Let us know on our Facebook, Twitter, and Instagram what you hear and what you think about this situation. We’re here to talk about it and other issues in the music industry.

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Black Music Month, Celebrating the Voices of the Unheard

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by Tiffany Livingston

Our culture is saturated in pure soul and through our music; we sing and perform songs of the Gospel, rhythm and blues, rock, funk, conscious lyrical hip-hop, and rap music. Growing up in the 90’s was a black liberating era listening to artists such as, Arrested Development, KRS-One, Tupac, and too many great black music artists to name. I took pride in being black only because the songs resonated with me. I started to become conscious of my blackness and for the first time in my life, I began to see racism and the mistreatment of my people for what it was because the music provoked me to open my eyes (Woke). I was becoming of age at the perfect time, becoming aware, strong-minded and took pride in celebrating my blackness through music.

Arrested Development

Growing up, music always played in the house. Sounds ranged from Gospel to Funk, Soul, R&B and the ever so infamous Hip-Hop. We would do our chores Saturday morning and cook dinner, dancing and singing along to music. The famous words my Father used to say to me (and he still does till this day) were “Who’s that Singing?” My job was to not guess, but know who it was especially since they were black artists. Arrested Development released a song called Tennessee. It was 1992 and I was about 9 years old. I was probably wearing pattern vests, silk/polyester shirts, and patent leather shoes (LOL). The song wasn’t too far from my first intro to music “Gospel”. Front man MC Speech rapped about black awareness and asked God for his direction during a troubling time; A prayer in the form of song over a hip-hop beat. It felt good to be black. I felt the love through the music, movies and the books I read. Self-love, reflection, and bold expressions is what black music is for me.

KRS-One

The following year in the late Fall of 1993 music began to take a turn into political hip-hop when KRS-One’s controversial single Black Cop was released. The track “Black Cop” was a song that challenged the thoughts of black men who willfully joined and accepted position as a police officer. Why would a black man want to become apart of a system whose goal has always been to kill, taunt, and destroy urban communities as a people? Black slave turned black cop is not logical– KRS-One. Police Brutality has been an on-going issue for centuries, not decades. He was just shedding light on the issue and he rapped about it. My people, like many others, have had too long of a journey fighting just to live. Sadly! This song is so fresh and prevalent in 2020 (Victim Name Here) and it’s shameful, scary and makes us feel unsafe. We are not a scared people and we fight back. We fight through our music and we fight through our voices to fight injustice and systemic racism. I could go on and on, but my goal is to celebrate Black Music. KRS didn’t stop there. He ended the Return of the Boom Bap  (1993) album with the single, Sound of the Police. It was my freshman year in High School in 1996  KRS-One released another challenge, but it was for music artists with Step Into a World. “Yo, I’m strictly about skills, and dope lyrical coastin’ relying on talent, not marketing and promotion”.(Step into A World) – KRS-One

Before J. Cole’s Change and Kendrick Lamar’s Alright there was another conscious/Hip-hop artist on TV named Tupac Shakur (2pac). I remember watching The Box music video channel and Urban Xpressions (Philadelphia TV) show waiting for my favorite artist’s videos to come on. It was the highlight of the weekend and something to talk about Monday morning at school. If you know of Tupac you may have been told only about his “Gangster Rapper” persona from his time with Death Row Records, but I know him as a Poet, Expressionist, Actor and Activist. While making music, Tupac was gaining film credits in a few fan favorites, Juice and Poetic Justice. During this time he continued to make music and in 1993 Tupac showed the Sista’s some love with his  Keep Ya Head Up  single featuring Dave Hollister from (Blackstreet):

Poetic Justice, featuring Janet Jackson and Tupac Shakur

“Some say the blacker the berry, the sweeter the juice I say the darker the flesh then the deeper the roots I give a holla to my sisters on welfare Tupac cares, if don’t nobody else care.” -Tupac (Keep Ya Head Up).

He continued his love for black women with another song Dear Momma a tribute to his own Mother/Activist the late Afeni Shakur. On September 13, 1996 Tupac Shakur was assassinated. The hip-hop community lost not one, but two great artist and not even a full year later on March 9, 1997 The Notorious B.I.G. (Biggie) was also assassinated. I know a lot of folks question the word assassination when it comes to a “Rapper” as they would say, but they were more than that.

Both deaths affected the black community and as a teenager at that time I was angry, we were angry. We hate violence in our communities as well as racist cops (not every cop) killing black men and women, which has been going on for far too long. The music Tupac made was for his people and the gangsters too. One of my all-time favorites is the song Changes recorded in (1992), then later released in 1998 added to his Greatest Hits Album 1998 . He spoke on black-on-black crime, police brutality, and ways to heal the black community:

“And the only time we chill is when we kill each other It takes skill to be real, time to heal each other. And although it seems heaven-sent, we ain’t ready to see a black president”. – Tupac (Changes).

Former President Barack Obama with his wife Michelle

Little did he know 13 years after his death a black man from Chicago named Barack Obama became America’s President in 2009. I wish he was still alive to see that some things do eventually change, and some stay the same. Most of the time us black folks know that, “that’s just the way it is things will never be the same”. (Changes)

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Music

Beast Mode

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Beast Mode, shot by Philly Music Videos, highlights the brutality experienced by African Americans during this time of Quarantine. Featuring Marcus G and Xin, these artist go all out to address what’s occurring in minority communities throughout the states.

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