“I feel like I don’t ever want to grow up. I feel like I’ve been a kid for a long time. I really cherish the experiences I’ve had learning the world as a child, adapting to this crazy society; and I feel like a lot of my inspiration still comes from things that I’ve experienced when I was a kid.”
– Kidaudra
When Kidaudra came to Philly in February 2014 to perform at Excuse Me Miss, an all-ladies music event, the 26-year-old electronic musician didn’t expect her audience to be so receptive to her sound. The crowd, gathered at Silk City Diner Bar and Lounge, welcomed Audra Kizina to the stage and danced her whole performance through as if her set was the moment they’ve all been waiting for. She described her Philadelphia audience as “the most receptive crowd,” further reminiscing on the night by saying, “There was some point when I looked up and everyone was kind of just standing around me and looking at me. Every time I’d put a beat on everyone would just be like, ‘Aaaaaaah!’ It made me so excited… I definitely want to do Philly again.”
Alone on the stage with her keyboard, Kidaudra managed to put her spectators in an electronic trance with her choral harmonies and layered vocals. And then, she would drop the beat and somehow manage to coordinate the neon lighting on her keyboard with her song. She was a multitasking talent, for sure. The crowd ate it up, but for Kidaudra, the harmonies, beats, and lights were all intertwined as one. “I like being a composer and I feel like the vocals and the music, in my mind, they are a part of each other, so I don’t feel like I’m singing and also doing other stuff. It’s all kind of just one whole thing.” As natural as music seems to come to Kidaudra, she admitted that she always saw herself as a visual artist – a painter. She proudly confessed, “I thought my calling was to be a painter.” Kidaudra’s family wasn’t even aware that she liked to sing and that she wanted to perform until she actually started performing. When asked what lured her away from visual arts and into music, she stated, “I realized music is just more kinetic. It can really touch people immediately with the beat. People just move. A song goes straight to the heart.”
As Kidaudra, Audra Kizina has been performing since 2012, but she has known music all of her life. Since her mother gave her a toy keyboard at one point in her childhood, she’s been hooked to music. Now, she proudly carries around her appreciation of that childhood, hence the name Kidaudra. “Kids can be curious, and they come up with new stuff, and they’re not jaded. I’d like to try to maintain that for a long as possible.” As she drifted into a nostalgic childhood nirvana, Kidaudra recalled:
“My mom got this old piano that someone was throwing out, and all the keys were black, and it was completely out of tune – and some of them were always stuck down, but she still brought this nasty piano in the house. I would just sit there and play it and listen to the notes and how they joined together with harmonies and dissonances. She would set up a little tape recorder next to me while I was jamming away. I was like four, just making a mess. And then we would listen to it together after. I think that really did a lot.”
It did so much that Kidaudra toyed around with music on her own and realized if she could have one tape recording her on the piano, she could have another recording her voice. At the age of 14, she had two tape recorders and a boombox with a cassette tape, ready to record. It wasn’t until 2005 that she acquired a laptop and started messing around with beats. This was the evolution of Kidaudra.
“I’m not really good with genres, so I’m still trying to figure out where I fit in because I’m influenced by everything. I really like 80s new wave and I really like old jazz and Motown – like the Supremes and the Temptations.”
While Kidaudra makes electronic music and really enjoys house and industrial, she knows that her interest in a broad range of musical genres has always been an integral part of her growth as an artist. Captivated by Judy Garland’s heavy, throaty vibrato, Kidaudra immediately fell in love with that sound; it was her gateway drug to jazz music. The musically motivated Kidaudra picked up trumpet at a young age, playing from elementary through high school and a little in college. “Last time I got it out, I put on a Miles Davis record and I tried to play along with it, like improvise. My neighbor totally knocked on the door; she’s like, ‘Can you keep it down?’ So I’m like okay, I’ll put it away. So that was the last time I got it out.”
“Everything that I’m influenced by kind of shows up somehow in my music.”
Having been born in Fredericktown, PA and moving to Little Washington, PA for a short time in her childhood, Kidaudra has a special tie to Pennsylvania and the city of Philadelphia. Now, the Westchester, NY resident and former Manhattan dweller is anxious to get back to the city of Philadelphia, noting one of her favorite parts of the Philadelphia Excuse Me Miss show was meeting Ganou, a solo electronic musician from Philadelphia. “I was like who is this girl? I want to know because she has such a powerful voice.” Kidaudra came to meet Ganou through a culmination of people that she knew from Pennsylvania. She placed Ganou on her favorites list and at the top of her collaboration bucket list. “I love collaborating. Collaborations are both beautiful and like a game. I’ll send a track out and they’ll send the track back with edits and changes.”
“Every time I collaborate with somebody I learn new things.”
Audra Kizina, in an effort to preserve her childhood, continues to make an eclectic mix of house, electronic, and pop – a complete blend of everything she’s carried with her from her younger years. Her music is a way to connect the beauty of yesterday with the magnificence of today. Kidaudra is currently working to finish her debut LP and hopes to have it completed relatively soon. “I just want to take my time with it because I feel like I’m a borderline perfectionist with it, but I also I want there to be room to grow, obviously.” In the meantime, her July 2012 five-track EP, Unknown, houses an electric array of electronic sounds and choral arrangements, which can be described as a rollercoaster of melancholic, hopeful, aggressive music.
“I love doing this just for the sheer enjoyment of doing it and making music. I dream of being successful and I dream of being able to travel and play all different cities, but I’m just happy to be making music, so whatever happens, happens.”
You ever hear a song and think to yourself, wait a minute, that sounds like a beat I’ve heard before? That’s how Philly native Tre Prada started his afternoon.
Here are his thoughts on the new Cardi B song “Up” which dropped at midnight on Friday morning.
When you listen to it his song “Goonies”, a song that dropped back in October of 2020, the notes and the beat seem to be remarkably similar. We’re gonna drop the videos here. In this case, hearing is believing.
Now let’s compare that to Cardi B’s brand new, 13 hours old video.
We want to know what you think about this. Do you hear a similar beat? Do you think the songs are different enough? Do they sound like any other songs you know? Let us know on our Facebook, Twitter, and Instagram what you hear and what you think about this situation. We’re here to talk about it and other issues in the music industry.
Our culture is saturated in pure soul and through our music; we sing and perform songs of the Gospel, rhythm and blues, rock, funk, conscious lyrical hip-hop, and rap music. Growing up in the 90’s was a black liberating era listening to artists such as, Arrested Development, KRS-One, Tupac, and too many great black music artists to name. I took pride in being black only because the songs resonated with me. I started to become conscious of my blackness and for the first time in my life, I began to see racism and the mistreatment of my people for what it was because the music provoked me to open my eyes (Woke). I was becoming of age at the perfect time, becoming aware, strong-minded and took pride in celebrating my blackness through music.
Growing up, music always played in the house. Sounds ranged from Gospel to Funk, Soul, R&B and the ever so infamous Hip-Hop. We would do our chores Saturday morning and cook dinner, dancing and singing along to music. The famous words my Father used to say to me (and he still does till this day) were “Who’s that Singing?” My job was to not guess, but know who it was especially since they were black artists. Arrested Development released a song called Tennessee. It was 1992 and I was about 9 years old. I was probably wearing pattern vests, silk/polyester shirts, and patent leather shoes (LOL). The song wasn’t too far from my first intro to music “Gospel”. Front man MC Speech rapped about black awareness and asked God for his direction during a troubling time; A prayer in the form of song over a hip-hop beat. It felt good to be black. I felt the love through the music, movies and the books I read. Self-love, reflection, and bold expressions is what black music is for me.
The following year in the late Fall of 1993 music began to take a turn into political hip-hop when KRS-One’s controversial single Black Cop was released. The track “Black Cop” was a song that challenged the thoughts of black men who willfully joined and accepted position as a police officer. Why would a black man want to become apart of a system whose goal has always been to kill, taunt, and destroy urban communities as a people? Black slave turned black cop is not logical– KRS-One. Police Brutality has been an on-going issue for centuries, not decades. He was just shedding light on the issue and he rapped about it. My people, like many others, have had too long of a journey fighting just to live. Sadly! This song is so fresh and prevalent in 2020 (Victim Name Here) and it’s shameful, scary and makes us feel unsafe. We are not a scared people and we fight back. We fight through our music and we fight through our voices to fight injustice and systemic racism. I could go on and on, but my goal is to celebrate Black Music. KRS didn’t stop there. He ended the Return of the Boom Bap (1993) album with the single, Sound of the Police. It was my freshman year in High School in 1996 KRS-One released another challenge, but it was for music artists with Step Into a World. “Yo, I’m strictly about skills, and dope lyrical coastin’ relying on talent, not marketing and promotion”.(Step into A World) – KRS-One
Before J. Cole’s Change and Kendrick Lamar’s Alright there was another conscious/Hip-hop artist on TV named Tupac Shakur (2pac). I remember watching The Box music video channel and Urban Xpressions (Philadelphia TV) show waiting for my favorite artist’s videos to come on. It was the highlight of the weekend and something to talk about Monday morning at school. If you know of Tupac you may have been told only about his “Gangster Rapper” persona from his time with Death Row Records, but I know him as a Poet, Expressionist, Actor and Activist. While making music, Tupac was gaining film credits in a few fan favorites, Juice and Poetic Justice. During this time he continued to make music and in 1993 Tupac showed the Sista’s some love with his Keep Ya Head Up single featuring Dave Hollister from (Blackstreet):
“Some say the blacker the berry, the sweeter the juice I say the darker the flesh then the deeper the roots I give a holla to my sisters on welfare Tupac cares, if don’t nobody else care.”-Tupac (Keep Ya Head Up).
He continued his love for black women with another song Dear Momma a tribute to his own Mother/Activist the late Afeni Shakur. On September 13, 1996 Tupac Shakur was assassinated. The hip-hop community lost not one, but two great artist and not even a full year later on March 9, 1997 The Notorious B.I.G. (Biggie) was also assassinated. I know a lot of folks question the word assassination when it comes to a “Rapper” as they would say, but they were more than that.
Both deaths affected the black community and as a teenager at that time I was angry, we were angry. We hate violence in our communities as well as racist cops (not every cop) killing black men and women, which has been going on for far too long. The music Tupac made was for his people and the gangsters too. One of my all-time favorites is the song Changes recorded in (1992), then later released in 1998 added to his Greatest Hits Album 1998 . He spoke on black-on-black crime, police brutality, and ways to heal the black community:
“And the only time we chill is when we kill each other It takes skill to be real, time to heal each other. And although it seems heaven-sent, we ain’t ready to see a black president”. – Tupac (Changes).
Little did he know 13 years after his death a black man from Chicago named Barack Obama became America’s President in 2009. I wish he was still alive to see that some things do eventually change, and some stay the same. Most of the time us black folks know that, “that’s just the way it is things will never be the same”. (Changes)
Beast Mode, shot by Philly Music Videos, highlights the brutality experienced by African Americans during this time of Quarantine. Featuring Marcus G and Xin, these artist go all out to address what’s occurring in minority communities throughout the states.
You must be logged in to post a comment Login